![]() ![]() He described gizmos such as Accu-Tuner, and software packages like CyberTuner, as aids for the ear, not substitutes. “We feel you do not train your ear well enough because you’re relying on the machine.” “We don’t use electronic tuners here and we don’t advise any of our technicians to use them,” said Ron Coners, chief concert technician for Steinway in New York. That view prevails at some prestigious music academies, including the Juilliard School, as well as at Steinway & Sons. “You don’t really have to pay attention to what you’re doing. “When you start using a machine, you are allowed to become kind of lazy,” he added. It’s all about the ear, Elliot said later. ![]() After tearing into a Mozart concerto, Goode complimented Elliott. The impish-faced pianist wanted another rehearsal before that night’s performance.Įlliott hurriedly collected his tools and retreated backstage. Goode appeared from the gloom just as Elliott finished. Elliott jabbed one hammer with a needle - “sugar-coating” it - to render the string less strident. They bounced on the Swedish-steel strings like woodpeckers peppering bark. “Richard Goode is a very sensitive player,” Elliott said as he tinkered with the Steinway’s felt hammers. Household pianos typically are tuned once a year. It took him an hour to sweeten the Steinway. He drifted into the craft after studying piano. “Tuning is creative.”Įlliott has tuned the Music Center’s pianos for 17 years. “A machine is very rigid,” said the Pasadena resident. “Maybe they never really learned to tune by ear.” He said no computer can “hear” the subtle tonal differences between two pianos, or along the multi-string unisons within a single instrument.Įlliott also said the gadgets can’t “stretch the octaves,” making the bass flatter and treble sharper - to suit a performer’s taste. “There are a lot of people who use electronic tuners,” said Elliott, a soft-spoken 51-year-old with clipped, graying hair. The B flat reverberated like a pipe banging in a storm drain, only purer. His task was to improve the “feel” of the piano for soloist Richard Goode.Įlliott tugged his tuning hammer - a misnamed wrench - this way and that on the pin of a B-flat string, adjusting it by hair-widths, while pounding the key. All of our latest features will be demonstrated and explained.Elliott stood over a nine-foot Steinway on the darkened stage of the Dorothy Chandler Pavilion. CyberTuner can create complete 92 or 97 note tunings for large Bosendorfer grands. Learn to manage CyberTuner’s library of Di Veroli and Jorgensen Historical Temperaments or create your own User Temperaments. I analyze the convergence of our ear’s aural preferences with the machine’s digital decision making. Our Perfect 12th equal temperament, OTS P is introduced and explained. How CyberTuner constructs its tunings and predicts where they will settle in just one pass. These classes examine CyberTuner’s “thinking” behind its Smart Pitch, Smart Partials and Smart Tune features. We sample each note and CyberTuner “listens” to every interval. ![]() We are now using AI to optimize our temperament and midrange. Carl is both CyberTuner’s Imagineer and an iRCT Instructor at the Piano Technicians Guild’s largest Conferences. Carl is part of the Software Development Team and has worked with CyberTuner’s developer, Dean Reyburn to create some of iRCT’s most powerful features. It is the fastest and most accurate way to stabilize concert level tuning on any piano. It is the highest priced software in the Apple App Store. Reyburn is the most advanced piano tuning software in the world.
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